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He later joined London Records, where he worked until February 1964, when he then established RPM weekly trade magazine.From the first issue of RPM Weekly on February 24, 1964 to its final issue on November 13, 2000, RPM was the defining charts in Canada.The 1980s saw Canada support and promote many of its own talent in pursuit of true originality.Canadian rock generally had been discouraged by market forces before the 1980s, in particular the need to conform to the taste of a Canadian audience that has had its standards and expectations formed by constant exposure to US and British acts for the prior three decades.With the introduction of the Canadian Radio-television and Telecommunications Commission's (CRTC) broadcast regulations in 1970, the Canadian recording industry made rock a major focus of its activity.Many performers from the late 1960s came to the forefront in the following years, among them The Bells and Andy Kim from Montreal, Chilliwack from Vancouver, Five Man Electrical Band from Ottawa, Lighthouse from Toronto, Wednesday from Oshawa, and The Stampeders from Calgary.The popularity of US rock on the two Canadian charts led to many existing groups, especially those devoted to country music, to change styles or to incorporate some rock style hits in their repertoires.

Success in the larger US market remained the major goal of most, if not all, post-1970 Canadian rock acts; a goal in fact reached with some greater or lesser degree of consistency by several, among them Bryan Adams, Kim Mitchell former guitarist and vocalist of Max Webster, Aldo Nova, Loverboy, Saga, k.d.This song brought Anka instant stardom and he became the first Canadian to have a number one on the US Billboard charts in the rock and roll era.He formed a backing band called The Hawks, which produced some of the earliest Canadian rock stars.Until the mid-1960s, little attention was paid to rock by Canadian daily newspapers except as news or novelty.With the introduction during the 1970s of the "rock critic", coverage began to rival that of any other music.

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